- South African front of house engineer, Marius Marais, has long been a user of HARMAN’s Studer and Soundcraft mixing consoles. Recently, he has increased his inventory, adding a Studer Vista 5 SR, a Soundcraft Vi1 and Si Compact (with optical card)—all supplied by HARMAN Professional’s South African distributor, Wild & Marr.
“When the Vista 5 SR first arrived in South Africa Wild & Marr immediately contacted me, knowing that the console would fit in with the jobs I needed to do,” Marais said. “It was a no-brainer. After that I added the Vi1 and Si Compact 32 to my inventory.”
Soundcraft and Studer flagship consoles have improved Marius’ evolving large-scale productions. “An orchestra plays as one unit, so if you have a good microphone, preamp and PA system, you should not have to change the sound with lots of EQ. That’s what the Soundcraft and Studer consoles give me—warm uncolored sound. The Vistonics on the Vista and the preamps are, in my opinion, what makes the console so unique.”
The sound engineer’s induction to the Soundcraft family took place with the launch of the Spirit Live 4, when the Freestate Performing Arts Council bought one to use on a township outreach arts program. When Marais joined audio rental company Sound Stylists in 1997, he worked on a Soundcraft SM12 and later a Soundcraft Series 5 and Series 5M.
Marius joined Matrix Sound in 2004, which became the first South African company to invest in a Soundcraft Vi6. “I fell in love with the Vi6 on the first gig,” he said. “The smooth, warm sounding preamps were what first drew my attention. From there it was my desk of choice for all the shows that required a large format console.”
By 2009, Marais had formed his own company, Audio Logic, with Wild & Marr providing an Si3 which he used as a sidecar (alongside the Vi6) for big orchestra shows involving the giant Afrikaans music production, “Skouspel” (which translates to “Spectacular”). This included a 64-piece orchestra, a 6-piece rhythm section, a guest band of various sizes and numerous vocalists.
“That was the main reason for acquiring the new Vista 5 SR,” said Marais. “With a correctly set-up PA, the desks sound amazing. With a Vi6 as a sub mix for the orchestra, I used a total of 184 channels on the Studer. With the snapshot and cue function, even a large-scale production like this was not as difficult as it used to be. The open platform provides the perfect environment to design and execute any size production.”
